shashasha 写々者

2024
Acts of Resistance: Photography, Feminisms and the Art of Protest. South London Gallery.
ICP at 50: From the Collection, 1845–2019. International Center of Photography, New York.
Fragile Beauty: Photographs from the Sir Elton John and David Furnish Collection. Victoria & Albert Museum, London.
2023
Love Songs: Photography and Intimacy. International Center of Photography, New York.
Purple Haze: Art and Drugs across the Americas. Samuel Dorsky Museum of Art, State University of New York, New Paltz.
Friends & Lovers. FLAG Art Foundation, New York.
Nan Goldin and Jack Pierson. Institute of Contemporary Art, Boston. Splendid: An Art Exhibition. Museum of Old and New Art, Hobart, Australia. Real Families: Stories of Change. Fitzwilliam Museum, Cambridge, England. Dix und die Gegenwart. Deichtorhallen Hamburg, Germany.
2018
Real Worlds: Brassaï, Arbus, Goldin. Museum of Contemporary Art, Los Angeles. 2014 Stranger than Fiction: Art of Our Time. Museum of Modern Art, New York. Legacy: The Emily Fisher Landau Collection. San José Museum of Art, CA.
The New York Times Magazine Photographs. Aperture, New York.
2013
NYC 1993: Experimental Jet Set, Trash and No Star. New Museum, New York.
Glam! The Performance of Style. Tate Liverpool, England. Traveled to: Schirn Kunsthalle, Frankfurt, Germany; Lentos Kunstmuseum, Linz, Austria.
Color Rush: 75 Years of Color Photography in America. Milwaukee Art Museum.
All You Need Is Love: From Chagall to Kusama and Hatsune Miku. Mori Art Museum,
Tokyo.
Dreams of Venice. L'Institut Culturel Bernard Magrez, Bordeaux, France.
I, You, We. Whitney Museum of American Art, New York.
Un/Natural Color. Santa Barbara Museum of Art, CA.
Room to Live: Recent Acquisitions and Works from the Collection. Museum of
Contemporary Art, Los Angeles.
Room to Live. Museum of Contemporary Art, Los Angeles.
2012
Young People: Set 9 from the Collection of the Fotomuseum Winterthur. Fotomuseum Winterthur, Switzerland.
Oriental Mirages: Pomegranates and Prickly Pears. La Collection Lambert, Avignon, France.
This Will Have Been: Art, Love, & Politics in the 1980s. Museum of Contemporary Art, Chicago. Traveled to: Walker Art Center, Minneapolis; Institute of Contemporary Art, Boston.
The Flash of Nature. Salone degli Incanti, Trieste, Italy.
Bye Bye American Pie. Malba-Fundación Costantini, Buenos Aires.
Quilling: Devotional Creations from Cloistered Orders. Pinacoteca Giovanni e Marella
Agnelli, Turin, Italy.
DLA Piper Series: Innocence and Experience. Tate Liverpool, England. Documented: A Visual Narrative of an Artist’s Life. Sharon Arts Center, NH. Self-Portrait. Louisiana Museum of Modern Art, Copenhagen.
Response to Provocation: Living Memoirs of the Culture Wars—Nan Goldin. Felix
Gonzalez-Torres & David Wojnarowicz. Wichita State University, KS. Regarding Warhol: Sixty Artists, Fifty Years. Metropolitan Museum of Art, New York. 2011 Legacy: The Emily Fisher Landau Collection. Whitney Museum of American Art, New
York.
Something That I'll Never Really See: Contemporary Photography from the V&A. Dr.
Bhau Daji Lad Mumbai City Museum, Mumbai, India. Traveled to: National Gallery of Art, Bangalore, India; National Gallery of Modern Art, New Delhi; Hyderabad, India.
Series of Portraits: A Century of Photographs. Museum für Kunst und Gewerbe Hamburg, Germany.
Unsettled: Photography and Politics in Contemporary Art. Philadelphia Museum of Art.
American Dreams: 20th Century Photography from George Eastman House. Bendigo Art Gallery, Australia.
The Human Touch: Contemporary Art from the RBC Wealth Management Collection. Museum of Fine Arts, St. Petersburg, FL. Traveled to: Blanton Museum of Art, University of Texas, Austin.
Street Life and Home Stories: Fotografien aus der Sammlung Goetz. Museum Villa Stuck, Munich.
Real Venice. Abbey of San Giorgio Maggiore, Venice.
Harper’s Bazaar: A Decade of Style. International Center of Photography, New York. Elgiz 10 Istanbul. Elgiz Museum of Contemporary Art, Istanbul.
What’s In a Face? Aspects of Portrait Photography. Art Gallery of New South Wales,
Sydney.
In The Name of Artists: Classics of Contemporary Art From the Astrup Fearnley Collection. São Paulo Biennial Pavilion.
2010
Brave New World. Musée d’Art Moderne Grand-Duc Jean, Luxembourg.
WE ARE THE WORLD: Figures & Portraits. Fisher Landau Center for Art, New York. Pictures by Women: A History of Modern Photography. Museum of Modern Art, New
York.
Les Rencontres d’Arles 2010. Les Rencontres D’Arles Photographie, Arles, France. Exposed: Voyeurism, Surveillance and the Camera. Tate Modern, London. Traveled to:
San Francisco Museum of Modern Art; Walker Art Center, Minneapolis. MUDAM Collection. Musée d’Art Moderne Grand-Duc Jean, Luxembourg.
Thanks For Being With Us: Contemporary Art from the Douglas Nielsen Collection.
Tucson Museum of Art, AZ.
Up Close: Carol Jerrems with Larry Clark, Nan Goldin, and William Yang. Heide
Museum of Modern Art, Bulleen, Australia.
New Work: Katharina Fritsch, Robert Gober, Nan Goldin, Andreas Gursky, Martin
Honert, Charles Ray, Terry Winters. Matthew Marks Gallery, New York. Hide/Seek: Difference and Desire in American Portraiture. National Portrait Gallery,
Washington, DC. Traveled to: Brooklyn Museum, NY; Tacoma Art Museum,
WA.
Disquieting Images. Milan Triennale.
São Paulo Biennale.
"Autour de l'extrême" A selection from the MEP collections. Maison Européenne de la
photographie, Paris.
2009
Imagination Noir. Fisher Landau Center for Art, New York.
Familiar Feelings on the Boston Group. Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain.
DARKSIDE II - Photographic Power and Violence, Disease and Death Photographed. Fotomuseum Winterthur, Switzerland.
Les Recontres d’Arles. France.
Shout: Contemporary Art and Human Rights. Glasgow Museum of Modern Art. Collection: MOCA's First Thirty Years. Museum of Contemporary Art, Los Angeles. The Portrait. Photography as Stage. Kunsthalle Wien, Vienna.
WE ARE THE WORLD: Figures & Portraits. Fisher Landau Center for Art, New York. The Art of Caring. New Orleans Museum of Art.
2008
Artist's Choice: Vik Muniz, Rebus. Museum of Modern Art, New York.
Role Models: Feminine Identity in Contemporary American Photography. National
Museum of Women in the Arts, Washington, DC.
Held Together with Water. Istanbul Museum of Modern Art.
Just Different! Cobra Museum of Modern Art, Amsterdam.
Between Memory and History: From the Epic to the Everyday. Museum of
Contemporary Canadian Art, Toronto, Canada.
Female Trouble: The camera as mirror and stage of the female projection in
photography and video art. Pinakothek der Moderne, Munich.
Las implicaciones de la imágen (The Image’s Implications). Museo Universitario de Ciencias y Artes, MUCA, Mexico City.
Role Models: Feminine Identity in Contemporary American Photography. The National Museum of Women in the Arts, Washington, DC.
True Romance. Allegories of Love from the Renaissance to the Present. Museum Villa Stuck, Munich.
Exquisite Corpus, Interacting with the Fragmented Body. Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY.
Darkside – Fotografische Begierde und fotografierte Sexualität. Fotomuseum Winterthur, Switzerland.
2007
J’embrasse pas... La Collection Lambert, Avignon, France.
Seduced: Art and Sex from Antiquity to Now. Barbican Centre, London.
True Romance: Allegories of Love from the Renaissance to the Present. Kunsthalle
Wien, Vienna.
Kiss Kiss Bang Bang: 45 Years of Art and Feminism. Bilbao Fine Art Museum, Spain. Into Me/Out of Me. Museo d’Arte Contemporanea, Rome.
Between Two Deaths. ZKM Center for Art and Media, Karlsruhe, Germany. Cross-Border: Fotografie und Videokunst aus dem Mumok Wien. Kunstmuseum
Stuttgart, Germany.
Loneliness and Melancholy. Hans Weiss Newspace Gallery, Manchester Community
College, CT.
Airs de Paris. Centre Georges Pompidou, Paris.
Photography and the Self: The Legacy of F. Holland Day. Whitney Museum of
American Art, New York.
2006
Personal Affairs. New Forms of Intimacy in present-day art. Museum Morsbroich,
Leverkusen, Germany.
Screened and Selected: Contemporary Photography and Video Acquisitions 1999-
2005.
Middlebury College Museum of Art, VT.
redefined: Modern and Contemporary Art from the Collection. Corcoran Gallery of
Art, Washington, DC.
More Than the World: Works from the Astrup Fearnley Collection. Astrup Fearnley
Museum of Modern Art, Oslo.
Into Me/Out of Me. P.S.1 Contemporary Art Center, New York.
So the Story Goes. Art Institute of Chicago.
Surprise, Surprise. Institute of Contemporary Arts, London.
The Eighth Square: Gender, Life, and Desire in the Visual Arts Since 1960. Museum
Ludwig, Cologne, Germany.
The Downtown Show: The New York Art Scene, 1974-1984. Grey Art Gallery, New
York University. Traveled to: Andy Warhol Museum, Pittsburgh; Austin
Museum of Art.
Fashion Photography. Museum of Fine Arts, Boston.
2005
SlideShow. Baltimore Museum of Art and Contemporary Arts Center, Cincinnati. Inside Out Loud: Visualizing Women’s Health in Contemporary Art. Mildred Lane
Kemper Art Museum, Washington University, St. Louis. Getting Emotional. Institute of Contemporary Art, Boston.
2004
About Face: Photographic Portraits from the Collection. Art Institute of Chicago. EAST VILLAGE USA. New Museum, New York.
PILLish: Harsh Realities and Gorgeous Destinations. Museum of Contemporary Art, Denver.
In Bed. The Toyota Municipal Museum of Art, Toyota Aichi, Japan.
Perspectives @ 25: A Quarter Century of New Art in Houston. Contemporary Arts Museum Houston.
Artists’ Favourites. ICA Galleries, The Mall, London.
Fictioning Fashion. Museum of Modern Art, New York.
Likeness: Portraits of Artists by Other Artists. CCA Wattis Institute for Contemporary
Arts, San Francisco.
Inside Out: Portrait Photographs from the Permanent Collection. Whitney Museum of
American Art, New York.
Social Strategies: Redefining Social Realism. Schick Art Gallery, Skidmore College,
Saratoga Springs, NY.
Double Takes, transformations through the lens. Herbert F. Johnson Museum of Art,
Cornell University, Ithaca, NY.
Wirklich Wahr! Realitätsversprechen von Fotografien. Ruhrlandmuseum Essen,
Germany.
2003
Urban Dramas. De Singel International Kunstcentrum, Antwerp, Belgium.
Family Ties. Peabody Essex Museum, Salem, MA.
American Beauty: From Muybridge to Goldin. Art Gallery of New South Wales,
Sydney.
The Auroral Light: Photographs By Women. The Grolier Club, New York.
Both Sides of the Street: Celebrating the Corcoran’s Photography Collection. Corcoran
Gallery of Art, Washington, DC.
Social Strategies: Redefining Social Realism. Art, Design & Architecture Museum,
University of California, Santa Barbara, CA. Traveled to: University Galleries, Illinois State University, Normal; DePauw University Art Gallery, Greencastle, IN.
Imperfect Innocence. The Debra and Dennis Scholl Collection, Palm Beach Institute of Contemporary Art, Lake Worth, FL.
To Eat or not to Eat: Or the relations of art with questions of eating. Centro de Arte de Salamanca, Spain.
Contemporary Photography from the Harn Museum Collection. University of Florida, Gainesville.
Only Skin Deep, Changing Visions of the American Self. International Center of Photography, New York.
2002
Mask or Mirror? A Play of Portraits. Worcester Art Museum, MA.
Cars; Surrounding Interiors. Frederick R. Weisman Art Museum, University of
Minnesota, Minneapolis.
Acquisitions 2001, Part I: Photographs, Video Installations, Video. National Museum of
Contemporary Art, Athens.
Inside Cars. Museum of Art, Fort Lauderdale, FL. Traveled to: Davis Museum and
Cultural Center, Wellesley College, MA; Frederick R. Weisman Art Museum,
University of Minnesota, Minneapolis.
Family. Aldrich Museum of Contemporary Art, Ridgefield, CT.
Visions from America: Photographs from The Whitney Museum of American Art,
1940-2001. Whitney Museum of American Art, New York.
Moving Pictures. Solomon R. Guggenheim Museum, New York. Traveled to: Solomon
R. Guggenheim Museum, Bilbao, Spain.
New York: Capital of Photography. The Jewish Museum, New York. Traveled to:
Musée de l'Elysée Lausanne, Switzerland.
The Nude in 20th Century Art. Kunsthalle in Emden, Germany.
2001
Tenth Anniversary Exhibition, 100 Drawings and Photographs. Matthew Marks Gallery, New York.
Collaborations with Parkett 1984 to Now. Museum of Modern Art, New York. 2000 Angles of Incidence. Center for Curatorial Studies, Bard College, Annandale-on-
Hudson, NY.
Photographs: A Decade of Collecting. Metropolitan Museum of Art, New York. The 46th Biennial Exhibition. Corcoran Museum of Art, Washington, DC. Photography Now. Contemporary Arts Center, New Orleans.
Rendez-vous #2. La Collection Lambert, Avignon, France.
Rendez-vous #1. La Collection Lambert, Avignon, France.
1999
Food for Thought. New Jersey Center for Visual Arts, Summit, NJ.
Spring Visiting Faculty. Carpenter Center for the Visual Arts, Harvard University,
Cambridge, MA.
Through the Looking Glass. Newhouse Center for Contemporary Art, Snug Harbor
Cultural Center, NY.
1998
Emotions and Relations. Hamburger Kunsthalle, Hamburg, Germany
Remix. Musée des Beaux-Arts de Nantes, France.
1997
The 90s: A Family of Man?. Casino Luxembourg, Forum d’Art Contemporain,
Luxembourg.
Family and Friends. The Museum of Contemporary Photography, Columbia College,
Chicago.
Identity Crisis: Self-Portraiture at the End of the Century. Milwaukee Art Museum. Rrose is a Rrose is a Rrose: Gender Performance in Photography. Solomon R.
Guggenheim Museum, New York.
Rineke Dijkstra, Nan Goldin, Mike Kelley, Sharon Lockhart. Museum Boijmans Van
Beuningen, Rotterdam, Netherlands.
Defining Eye: Women Photographers of the 20th Century. St. Louis Art Museum.
Traveled to: Museum of Fine Arts, Santa Fe, NM; Mead Museum of Art,
Amherst, MA; Wichita Art Museum, KS.
1996
By Night. Fondation Cartier pour l’art contemporain, Paris.
The American Trip: Larry Clark, Nan Goldin, Cady Noland, Richard Prince. The Power Plant, Contemporary Art Gallery at Harbourfront Centre, Toronto, Canada.
Hospice: A Photographic Inquiry. Corcoran Gallery of Art, Washington, DC. Traveled to : Wexner Center, Columbus, OH.
Urgence. CAPC Musée d’Art Contemporain, Bordeaux, France.
Social Documents. Museum of Contemporary Art, Los Angeles.
Happy End: Zukunfts-und Endzeitvisionen der 90er Jahre, Kunsthalle Düsseldorf,
Germany.
The Photographic Collections of the City of Paris: New Acquisitions, Une aventure
contemporaine, la photographie 1955-1995. Maison Européenne de la
Photographie, Paris.
Sex and Crime: Von den Verhaltnissen der Menschen. Sprengel Museum Hannover,
Germany. Biennale of Sydney.
It’s a She-Thing: Representations of Women in the Rivendell Collection. Bard College Center for Curatorial Studies, Annandale-on-Hudson, NY.
1995
Public Information: Desire, Disaster, Document. San Francisco Museum of Modern Art. Traveled to: The Power Plant, Contemporary Art Gallery, Toronto, Canada.
Biennial Exhibition. Whitney Museum of American Art, New York.
In a Different Light. University Art Museum and Pacific Film Archive, University of California at Berkeley.
Faculty Works on Paper. Yale University School of Art, New Haven, CT. Photography Today. Sonje Museum of Contemporary Art, Kyongju, Korea. Fémininmasculin: Le Sexe de l’Art. Centre Georges Pompidou, Paris. Boston School. The Institute of Contemporary Art, Boston.
Mother Jones 1989-1995. Centro de la Imagen, Mexico City.
Close to Life. International Foto-Triennial, Esslingen, Germany
1994
Face-Off: The Portrait in Recent Art. Institute of Contemporary Art, University of
Pennsylvania, Philadelphia.
From the Collection: Photography, Sculpture and Painting. Whitney Museum of
American Art, New York.
Embody: The Photograph and the Figure. The Proctor Arts Center, Bard College,
Annandale-on-Hudson, NY.
Puber-Alles (why am I who I am?). Stedelijk Museum, Amsterdam.
Fotografinnen der Gegenwart. Museum Folkwang, Essen, Germany.
Welt-Moral: Moralvorstellungen in der Kunst heute. Kunsthalle Basel.
Issues and Identities: Recent Acquisitions in Contemporary Photography. Art Institute
of Chicago.
Down Town: Life in a Modern City. Nederlands Foto Institut, Rotterdam, Netherlands. Of the Human Condition: Hope and Despair at the End of the Century. Spiral/Wacoal
Art Center, Tokyo.
1993
Biennial Exhibition. Whitney Museum of American Art, New York. Traveled to: Seoul.
Dress Codes. Institute of Contemporary Art, Boston.
Uber-Leben. Bonner Kunstverein, Bonn, Germany.
Bad Girls. Institute of Contemporary Arts, London. Traveled to: Centre for
Contemporary Arts, Glasgow, Scotland.
Intimate Lives: Photographers and Their Families. City Art Centre, Edinburgh
Ludwig Forum für International Kunst, Aachen, Germany.
American Art in the Twentieth Century. Martin-Gropius-Bau, Berlin.
Building a Collection: The Department of Contemporary Art, Part I. Museum of Fine
Arts, Boston.
Fotofeis. Scottish International Festival of Photography, Edinburgh, Scotland.
1992
Desordres. Galerie Nationale du Jeu de Paume, Paris. Fotoforum, Bremen, Germany.
Photography: Expanding the Collection. Whitney Museum of American Art, New York. AIDS Show. Kunstverein, Hamburg and Kunstmuseum, Lucerne, Switzerland. Spielholle: Aesthetics and Violence. Universitatsbibliothek, Frankfurt, Germany.
Traveled to: Grazer Kunstverein, Graz, Austria; Galerie Sylvana Lorenz, Paris. AIDS-Ethik und Asthetik. Kunstverein, Hamburg. Traveled to: Kunstmuseum, Lucerne,
Switzerland.
1991
The Devil on the Stairs: Looking Back on the Eighties. Institute of Contemporary Art,
University of Pennsylvania, Philadelphia. Traveled to: Newport Harbor Art
Museum, Newport Beach, CA.
Pleasures and Terrors of Domestic Comfort. Museum of Modern Art, New York.
Traveled to: Baltimore Museum of Art; Los Angeles County Museum of Art;
Contemporary Arts Center, Los Angeles.
Exploring the Unknown Self: Self-Portraits of Contemporary Women. Tokyo
Metropolitan Museum of Photography.
The Fourth Wall, Photography as Theater. The Fourth Wall Foundation, Amsterdam.
1990
Contemporary Social Document, Centro de Estudios, Fotográficos. Vigo, Spain. Figuring the Body. Museum of Fine Arts, Boston.
Appearances: Fashion Photography Since 1945. Victoria and Albert Museum, London. The Indomitable Spirit: Photographers and Artists Respond in the Time of AIDS.
International Center of Photography, New York. Traveled to: Los Angeles
Municipal Art Gallery.
Fashion Photography Since 1945. Victoria and Albert Museum, London.
1989
What Does She Want: Current Feminist Art from First Bank Collection. First Bank, Minneapolis.
Carleton College, Northfield, MN.
New Acquisitions/New Work/New Directions. International Museum of Photography
at George Eastman House, Rochester, NY.
1988
Real Faces. Whitney Museum of American Art, Phillip Morris Branch, New York. 1987 Twelve Photographers Look at the U.S. Philadelphia Museum of Art.
American Dreams. Centro de Arte Reina Sofia, Madrid.
Portraits: Faces of the 80s, Virginia Museum of Fine Arts, Richmond.
Photography and Art: Interactions Since 1946. Los Angeles County Museum. Traveled to: Queens Museum, New York; University of Texas, El Paso.
1986
Midtown Review. International Center of Photography, New York. 1985 Biennial Exhibition. Whitney Museum of American Art, New York.
Psychodrama. Philadelphia Art Alliance.
Self-Portrait Show. Museum of Modern Art, New York.
20/20: Cleveland and New York Artists. Lake Erie College, Painesville, OH.
1984
Portrait Show. Institute of Contemporary Art, University of Pennsylvania, Philadelphia.
The Family of Man. P.S.1 Contemporary Art Center, New York.
1983
Recent Portrait Photography. Taft Museum, Cincinnati.
1982
Faces Photographed. Grey Art Gallery, New York University, New York.
Lichtbildnisse – Das Portrat in der Fotografie. Rheinisches Landesmuseum, Bonn, Germany.
1981
New Wave/New York, P.S.1 Contemporary Art Center, New York. Couches, Diamonds. Pies, P.S.1 Contemporary Art Center, New York.
1978
Museum of Fine Arts, Boston.