ミカリス・ピヒラー
Michalis PICHLER
出版物
Michalis Pichler, Bibliophagia (Berlin: ”greatest hits”, New York: The Center for Book Arts, 2024).
Michalis Pichler, Un coup de dés jamais n'abolira le hasard (SCULPTURE) (Berlin: ”greatest hits”, Leipzig: Spector Books, 2024).
Michalis Pichler, POEM(S) (Athens: Agra Publishing, Berlin: ”greatest hits”, 2022).
Ulises Carrión, SONNET(S) (Berlin: ”greatest hits”, 2022).
Publishing Manifestos (Cambridge, Mass.: MIT Press, Berlin: MISS READ, 2022).
Michalis Pichler, Thirteen Years: The materialization of ideas / Trece años: la materialización de ideas , ed. Annette Gilbert, Clemens Krümmel (New York: Printed Matter, Inc., Leipzig: Spector Books, Mexico City: gato negro, Barcelona: Ediciones Originales, 2022).
Decolonizing Art Book Fairs: Publishing Practices from the South(s), ed. Pascale Obolo, Parfait Tabapsi, Yaiza Camps, Moritz Grünke (Berlin: MISS READ, Paris: Afrikadaa, Yaoundé: Mosaïques, 2021).
IDEA POLL (Berlin: MISS READ, 2021).
Michalis Pichler, 출판선언문 출판하기 (Seoul: mediabus, 2019).
Michalis Pichler, SOME MORE SONNET(S) (Berlin: ”greatest hits”, Mexico City: gato negro, 2019).
Publishing Manifestos (Cambridge, Mass.: MIT Press, Berlin: MISS READ, 2019).
Michalis Pichler, "greatest hits" POSTNAIVISM poster (Berlin: ”greatest hits”, 2019).
Michalis Pichler, The Work of Art in the Age of Its Digital Reproducibility #TwitterVersion (Berlin: ”greatest hits”, Mexico City: gato negro, 2019).
Michalis Pichler, GINZA HACCHO / EVERY BUILDING ON THE GINZA STRIP (Berlin: ”greatest hits”, Baden: Kodoji Press, 2018).
Publishing Manifestos (Beta Version) (Berlin: MISS READ, 2018).
Michalis Pichler, NEW YORK POST flag profile (Berlin: ”greatest hits”, Berlin: COLLAGE, 2017).
Michalis Pichler, Dichiarazioni sull’ Appropriazione / Statements on Appropriation (Berlin: ”greatest hits”, Milan: Kunstverein Milano, 2016).
Michalis Pichler, Une Seconde d'Éternité (Berlin: ”greatest hits”, Milan: Kunstverein Milano, 2016).
BOOKS AND IDEAS AFTER SETH SIEGELAUB (New York: The Center for Book Arts, Berlin: Sternberg Press, 2016).
Michalis Pichler, A TWO THREE FOUR FIVE (Berlin: Quick Magazine, 2015).
Michalis Pichler, The Ego and Its Own, English Edition of Der Einzige und sein Eigentum (Berlin: ”greatest hits”, Brooklyn: Ugly Duckling Presse, 2015).
Michalis Pichler, De enige en zijn eigendom, Dutch Edition of Der Einzige und sein Eigentum (Berlin: ”greatest hits”, Ghent: MER. Paper Kunsthalle, 2015).
Michalis Pichler, Den ende och hans egendom, Swedish Edition of Der Einzige und sein Eigentum (Berlin: ”greatest hits”, Stockholm: OEI Editör, 2015).
Michalis Pichler, ≠ CHARLES BAUDELAIRE. J'ai le mouvement qui déplace les lignes (Berlin: ”greatest hits”, 2014).
Michalis Pichler, 555 SCHNAPSPRESSE SONNETS, FOLDED, STAPLED AND SOLD IN CHUNKS OF 5 (Leipzig: Lubok Verlag, 2014).
Michalis Pichler, FLORIBUNDAROSEN (Leipzig: Lubok Verlag, 2014).
Michalis Pichler, 1111 RISOGRAPHED SONNETS, STAPLED, NUMBERED AND SOLD IN CHUNKS OF 11 (Paris: ed. Christophe Daviet-Thery, 2013).
Michalis Pichler, Boys! Männer! (Leipzig: Lubok Verlag, 2013).
Michalis Pichler, Brotfehler (Berlin: self-published, 2013).
July, August, September 2012 (Berlin: ”greatest hits”, 2012).
Michalis Pichler, January 5–31, 2012 (Berlin: ”greatest hits”, 2012).
Michalis Pichler, Statements on Appropriation / Statements zur Appropriation (Paris: La Bibliothèque Fantastique 2011).
Michalis Pichler, Sentences on Conceptual XXX (Paris: La Bibliothèque Fantastique 2011).
Michalis Pichler, SOME MORE SONNET(S) aka POEM(S) (Berlin: ”greatest hits”, 2011).
Michalis Pichler, SIX HANDS AND A CHEESE SANDWICH (Berlin: ”greatest hits”, Ljubljana: Zavod P.A.R.A.S.I.T.E., 2011).
Michalis Pichler, Monsanto Company Earnings Call Transcript (Berlin: ”greatest hits”, Skopje: Museum of Contemporary Art, 2010).
Michalis Pichler, The Ego and Its Own, Chinese Edition of Der Einzige und sein Eigentum (Berlin: ”greatest hits”, New York: Forever & Today, Inc., 2010).
Michalis Pichler, TWENTYSIX GASOLINE STATIONS (Berlin: ”greatest hits”, New York: Printed Matter, Inc., 2009).
Michalis Pichler, TWENTYSIX GASOLINE STATIONS (Berlin: self-published, 2009).
Michalis Pichler, Der Einzige und sein Eigentum / The Ego and Its Own (Berlin: ”greatest hits”, 2009).
Michalis Pichler, hearts (Frankfurt: Revolver, Contemporary Art Publishing, Athens: Agra Publishing, 2008).
Michalis Pichler, Un coup de dés jamais n‘abolira le hasard (SCULPTURE) (Berlin: ”greatest hits”, 2008).
Michalis Pichler, Red, White & Blue Box (New York: self-published, 2008).
Michalis Pichler, Working Drawings and Other Visible Things on Paper Not Necessarily Meant To Be Viewed (Chatou: CNEAI Centre National de l’Estampe et de l’Art Imprimé, Berlin: ”greatest hits”, 2008).
Michalis Pichler, SOME FALLEN UMBRELLAS AND SOMETHING ELSE (Marseille: UL(S), 2008).
Michalis Pichler, I am looking for a gallerist – But, my god, the heart is missing (Berlin: self-published 2007).
Michalis Pichler, les dés sont pipés (Ackermann) (Berlin: self-published 2007).
Michalis Pichler, les dés sont pipés (embedded journalism) (New York: self-published 2007).
Michalis Pichler, pichler pichler (the beginning of the system of lies) (Berlin: self-published, 2007).
Michalis Pichler, SECHSUNDZWANZIG AUTOBAHN FLAGGEN (Frankfurt: Revolver, Contemporary Art Publishing, 2006).
Michalis Pichler, stars & stripes / new york garbage flag profile (Frankfurt: Revolver, Contemporary Art Publishing, 2005).
Michalis Pichler, “WAR“diary (Frankfurt: Revolver, Contemporary Art Publishing, 2005).
Michalis Pichler, New York Times Flag Profile (New York: self-published, 2003).
Michalis Pichler, Un coup de dés jamais n'abolira le hasard (SCULPTURE) (Berlin: ”greatest hits”, Leipzig: Spector Books, 2024).
Michalis Pichler, POEM(S) (Athens: Agra Publishing, Berlin: ”greatest hits”, 2022).
Ulises Carrión, SONNET(S) (Berlin: ”greatest hits”, 2022).
Publishing Manifestos (Cambridge, Mass.: MIT Press, Berlin: MISS READ, 2022).
Michalis Pichler, Thirteen Years: The materialization of ideas / Trece años: la materialización de ideas , ed. Annette Gilbert, Clemens Krümmel (New York: Printed Matter, Inc., Leipzig: Spector Books, Mexico City: gato negro, Barcelona: Ediciones Originales, 2022).
Decolonizing Art Book Fairs: Publishing Practices from the South(s), ed. Pascale Obolo, Parfait Tabapsi, Yaiza Camps, Moritz Grünke (Berlin: MISS READ, Paris: Afrikadaa, Yaoundé: Mosaïques, 2021).
IDEA POLL (Berlin: MISS READ, 2021).
Michalis Pichler, 출판선언문 출판하기 (Seoul: mediabus, 2019).
Michalis Pichler, SOME MORE SONNET(S) (Berlin: ”greatest hits”, Mexico City: gato negro, 2019).
Publishing Manifestos (Cambridge, Mass.: MIT Press, Berlin: MISS READ, 2019).
Michalis Pichler, "greatest hits" POSTNAIVISM poster (Berlin: ”greatest hits”, 2019).
Michalis Pichler, The Work of Art in the Age of Its Digital Reproducibility #TwitterVersion (Berlin: ”greatest hits”, Mexico City: gato negro, 2019).
Michalis Pichler, GINZA HACCHO / EVERY BUILDING ON THE GINZA STRIP (Berlin: ”greatest hits”, Baden: Kodoji Press, 2018).
Publishing Manifestos (Beta Version) (Berlin: MISS READ, 2018).
Michalis Pichler, NEW YORK POST flag profile (Berlin: ”greatest hits”, Berlin: COLLAGE, 2017).
Michalis Pichler, Dichiarazioni sull’ Appropriazione / Statements on Appropriation (Berlin: ”greatest hits”, Milan: Kunstverein Milano, 2016).
Michalis Pichler, Une Seconde d'Éternité (Berlin: ”greatest hits”, Milan: Kunstverein Milano, 2016).
BOOKS AND IDEAS AFTER SETH SIEGELAUB (New York: The Center for Book Arts, Berlin: Sternberg Press, 2016).
Michalis Pichler, A TWO THREE FOUR FIVE (Berlin: Quick Magazine, 2015).
Michalis Pichler, The Ego and Its Own, English Edition of Der Einzige und sein Eigentum (Berlin: ”greatest hits”, Brooklyn: Ugly Duckling Presse, 2015).
Michalis Pichler, De enige en zijn eigendom, Dutch Edition of Der Einzige und sein Eigentum (Berlin: ”greatest hits”, Ghent: MER. Paper Kunsthalle, 2015).
Michalis Pichler, Den ende och hans egendom, Swedish Edition of Der Einzige und sein Eigentum (Berlin: ”greatest hits”, Stockholm: OEI Editör, 2015).
Michalis Pichler, ≠ CHARLES BAUDELAIRE. J'ai le mouvement qui déplace les lignes (Berlin: ”greatest hits”, 2014).
Michalis Pichler, 555 SCHNAPSPRESSE SONNETS, FOLDED, STAPLED AND SOLD IN CHUNKS OF 5 (Leipzig: Lubok Verlag, 2014).
Michalis Pichler, FLORIBUNDAROSEN (Leipzig: Lubok Verlag, 2014).
Michalis Pichler, 1111 RISOGRAPHED SONNETS, STAPLED, NUMBERED AND SOLD IN CHUNKS OF 11 (Paris: ed. Christophe Daviet-Thery, 2013).
Michalis Pichler, Boys! Männer! (Leipzig: Lubok Verlag, 2013).
Michalis Pichler, Brotfehler (Berlin: self-published, 2013).
July, August, September 2012 (Berlin: ”greatest hits”, 2012).
Michalis Pichler, January 5–31, 2012 (Berlin: ”greatest hits”, 2012).
Michalis Pichler, Statements on Appropriation / Statements zur Appropriation (Paris: La Bibliothèque Fantastique 2011).
Michalis Pichler, Sentences on Conceptual XXX (Paris: La Bibliothèque Fantastique 2011).
Michalis Pichler, SOME MORE SONNET(S) aka POEM(S) (Berlin: ”greatest hits”, 2011).
Michalis Pichler, SIX HANDS AND A CHEESE SANDWICH (Berlin: ”greatest hits”, Ljubljana: Zavod P.A.R.A.S.I.T.E., 2011).
Michalis Pichler, Monsanto Company Earnings Call Transcript (Berlin: ”greatest hits”, Skopje: Museum of Contemporary Art, 2010).
Michalis Pichler, The Ego and Its Own, Chinese Edition of Der Einzige und sein Eigentum (Berlin: ”greatest hits”, New York: Forever & Today, Inc., 2010).
Michalis Pichler, TWENTYSIX GASOLINE STATIONS (Berlin: ”greatest hits”, New York: Printed Matter, Inc., 2009).
Michalis Pichler, TWENTYSIX GASOLINE STATIONS (Berlin: self-published, 2009).
Michalis Pichler, Der Einzige und sein Eigentum / The Ego and Its Own (Berlin: ”greatest hits”, 2009).
Michalis Pichler, hearts (Frankfurt: Revolver, Contemporary Art Publishing, Athens: Agra Publishing, 2008).
Michalis Pichler, Un coup de dés jamais n‘abolira le hasard (SCULPTURE) (Berlin: ”greatest hits”, 2008).
Michalis Pichler, Red, White & Blue Box (New York: self-published, 2008).
Michalis Pichler, Working Drawings and Other Visible Things on Paper Not Necessarily Meant To Be Viewed (Chatou: CNEAI Centre National de l’Estampe et de l’Art Imprimé, Berlin: ”greatest hits”, 2008).
Michalis Pichler, SOME FALLEN UMBRELLAS AND SOMETHING ELSE (Marseille: UL(S), 2008).
Michalis Pichler, I am looking for a gallerist – But, my god, the heart is missing (Berlin: self-published 2007).
Michalis Pichler, les dés sont pipés (Ackermann) (Berlin: self-published 2007).
Michalis Pichler, les dés sont pipés (embedded journalism) (New York: self-published 2007).
Michalis Pichler, pichler pichler (the beginning of the system of lies) (Berlin: self-published, 2007).
Michalis Pichler, SECHSUNDZWANZIG AUTOBAHN FLAGGEN (Frankfurt: Revolver, Contemporary Art Publishing, 2006).
Michalis Pichler, stars & stripes / new york garbage flag profile (Frankfurt: Revolver, Contemporary Art Publishing, 2005).
Michalis Pichler, “WAR“diary (Frankfurt: Revolver, Contemporary Art Publishing, 2005).
Michalis Pichler, New York Times Flag Profile (New York: self-published, 2003).
個展
2024 - "Exposition littéraire autour de Mallarmé," abc Art Books in China, Beijing
2024 - "Exposition littéraire autour de Mallarmé," Center for Book Arts, New York
2023 - "The Term Artists Book Is Problematic (Pedestal Problem)," BANANAFISH Gallery, Shanghai
2016 - "Exposition littéraire autour de Mallarmé," Kunstverein (Milano), Milan
2015 - "Greatest Hits," Printed Matter, Inc., New York (cat.)
2015 - "The Complete Films," OEI colour project, Stockholm
2014 - "Sonnet(s) & Other Sonnet(s)," OEI colour project, Stockholm & X Marks the Bökship, London
2013 - "Sonnet(s) & Other Sonnet(s)," PrintRoom, Rotterdam
2013 - "Sonnet(s) & Other Sonnet(s) / Vis à Vis 3 (Ulises Carrión – Michalis Pichler)," Daviet-Thery, Paris
2012 - "The beginning of the system of lies (J’ai le mouvement qui déplace les lignes), Exposition littéraire autour de Stirner et Baudelaire," Hallway Gallery, Vienna
2008 - "Quinze," Espace Surplus, Berlin (cat.)
2007 - "distorted rectangle (‘waving‘)," Revolver, Archiv für aktuelle Kunst, Frankfurt with a satellite in Kunstverein Frankfurt
2006 - "i fell in love, i fell out of love, 100$, potato chips, airplanes, clouds & sky," Printed Matter, Inc., New York
2005 - "The lost empire and the empire to be lost," 5uper.net, Museumsquartier, Vienna
2003 - "48 Hours Vs Hell No I Won’t Go," basement #18, Pratt Institute, Brooklyn
2024 - "Exposition littéraire autour de Mallarmé," Center for Book Arts, New York
2023 - "The Term Artists Book Is Problematic (Pedestal Problem)," BANANAFISH Gallery, Shanghai
2016 - "Exposition littéraire autour de Mallarmé," Kunstverein (Milano), Milan
2015 - "Greatest Hits," Printed Matter, Inc., New York (cat.)
2015 - "The Complete Films," OEI colour project, Stockholm
2014 - "Sonnet(s) & Other Sonnet(s)," OEI colour project, Stockholm & X Marks the Bökship, London
2013 - "Sonnet(s) & Other Sonnet(s)," PrintRoom, Rotterdam
2013 - "Sonnet(s) & Other Sonnet(s) / Vis à Vis 3 (Ulises Carrión – Michalis Pichler)," Daviet-Thery, Paris
2012 - "The beginning of the system of lies (J’ai le mouvement qui déplace les lignes), Exposition littéraire autour de Stirner et Baudelaire," Hallway Gallery, Vienna
2008 - "Quinze," Espace Surplus, Berlin (cat.)
2007 - "distorted rectangle (‘waving‘)," Revolver, Archiv für aktuelle Kunst, Frankfurt with a satellite in Kunstverein Frankfurt
2006 - "i fell in love, i fell out of love, 100$, potato chips, airplanes, clouds & sky," Printed Matter, Inc., New York
2005 - "The lost empire and the empire to be lost," 5uper.net, Museumsquartier, Vienna
2003 - "48 Hours Vs Hell No I Won’t Go," basement #18, Pratt Institute, Brooklyn
グループ展
2024 -
"LIBRARY OF ARTISTIC PRINT ON DEMAND," Villa Stuck, Munich
2023 -
"Blank. Raw. Illegible... Artists' Books as Statements (1960-2022)," Leopold Hoesch Museum, Düren
"OFFSET," Centre du livre d'artiste CDLA, Saint-Yrieix
2022 -
"Inexistent Books V," aula46, Barcelona
"Exposition / SURE SHOT* 1 – FAUX CONTACT," ESADHaR, Rouen
2021 -
"Désacraliser - La Tentation de Saint-Antoine," FRAC Haute-Normandie, Sotteville-lès-Rouen
"Enjoy Künstlerbücher," mumok, Vienna
"Apt 13’s A New Museum’s Triennial," FR MOCA, Fall River
2020 -
"Collector, quand l’art devient livre," Bibliothèque l’Alcazar, Marseille
"Behind the Glass – Quotes about Books from Books about Books," Oslo National Academy of the Arts – Library, Oslo
2019 -
"B," Belmacz, London
"Conceptual Poetics Day 2019," Haus der Kulturen der Welt, Berlin
" A construção do livro [de artista]," Universidade Federal de Minas Gerais, Belo Horizonte
"Calculated Chance," Societe, Brussels
"Estragon," Belmacz, London
"PANORAMA 2," FRAC Provence-Alpes-Côte d’Azur, Marseille
"Republished: Questioning Boundaries," das weisse haus, Vienna
2018 -
"Conceptual Poetics Day 2018," Haus der Kulturen der Welt, Berlin
"RÉSONANCE - Partie 2," FRAC Normandie, Rouen
"Un campo oscuro ," Centro José Guerrero , Granada, Spain
"EXPO Réactiver," Galerie 65 de l’École Supérieure d’Art et Design, Le Havre
"PANORAMA 1 : Tous les jours, je me dis qu’il ne faut pas que je craque," FRAC Provence-Alpes-Côte d’Azur, Marseille
"RÉSONANCE - Partie 1," Musée des Beaux-Arts, Rouen
2017 -
"Publishing as an Artistic Toolbox: 1989–2017," Kunsthalle Wien, Vienna
"Andere Bücher / Otros libros," Goethe-Institut Chile, Santiago de Chile
"Conceptual Poetics Day 2017," Haus der Kulturen der Welt, Berlin
"art. poetry. space," Ursula Blickle Stiftung, Kraichtal
"Artists' Books for Everything," Research Centre for Artists’ Publications, Weserburg Bremen
"Selección Natural – This is the Cover of the Book," 019 — Museum Of Moving Practice, Ghent
"The Rise of Bio-Society," Riddoch Art Gallery, Mount Gambier, South Australia
"Off the Shelve: Modern & Contemporary Artists´Books," Baltimore Musum of Art, Baltimore, Maryland
2016 -
"les Editions (Un)Limited Store," FRAC Provence-Alpes-Côte d’Azur, Marseille
"Xerox," Societe, Brussels
"Ed Ruscha Books & Co," Gagosian, Los Angeles (cat.)
"Reading Mashines," Kunsthal, Aarhus
"*Helter Skelter Vol.III," Kulturpalast Wedding International, Berlin
"Conceptual Poetics Day," Akademie der Künste, Berlin
"COMING OF AGE," Torpedo, Oslo
"Der Schatten des Körpers des Kutschers / The Shadow of the Body of the Coachman," KUNSTSAELE, Berlin
2015 -
"Artphilein on Display: Visual Poetry – Stéphane Mallarmé," Choisi, Lugano
"Proyecto para un texto / Project for a Text," Cosmopoética, Cordoba (cat.)
"Gomringer+," Kunstverein Bielefeld, Bielefeld (cat.)
"Re: follow-ed (after hokusai)," Cabinet du livre d’artiste, Université Rennes (cat.)
"Conceptual Poetics Day," Akademie der Künste, Berlin
"OLD NEWS (again)," centre national de l’estampe et de l’art imprimé (cneai), Paris
"This is the cover of the book," Arts Libris, Barcelona (cat.)
"BOOKS & CO," Gagosian, Paris (cat.)
"Ed Ruscha (and tributes)," Choisi, Lugano
2014 -
"Hausbesetzung," Nassauischer Kunstverein, Wiesbaden
"The Liberated Page," Le Commun, Geneva
"Postscript," Michigan State University, Eli and Edythe Broad Art Museum, East Lansing, Michigan (cat.)
"Conceptual Poetics Day," Literaturwerkstatt, Berlin
"Original Pirate Material," Literaturwerkstatt, Berlin
"Artist’s book rules /// libri a regola d’artista," Palazzo Collicola Arti Visive, Spoleto
"Pastiche, parody and piracy," The Cob Gallery, London
"A morte do autor," Universidade Federal de Minas Gerais, Belo Horizonte
"Remake, le livre et la céramique en question," Musée de Mariemont, Morlanwelz
"Bibliologie," FRAC Haute-Normandie, Sotteville-lès-Rouen
2013 -
"My Gallery is the World Now: Books and Ideas after Seth Siegelaub," Center for Book Arts, New York (cat.)
"Conceptual Poetics Day," abc art berlin contemporary, Berlin
"Esthétique du livre d’artiste: Collections et inventaires," FRAC Provence-Alpes-Côte d’Azur, Marseille
"Mehr Als Schein / Shining Through / Αυτό που φαίνεται," Zone D/Zoumboulakis Gallery, Athens
"Postscript," Power Plant, Toronto (cat.)
"Un phénomène de Bibliothèque," Un phénomène de Bibliothèque, Paris
"LIMITED, MULTIPLE, UNIQUE," The Book Club of California, San Francisco (cat.)
"The Feverish Library (continued)," Capitain Petzel, Berlin
"BOOKS & CO," Gagosian, Paris (cat.)
2012 -
"Postscript," Museum of Contemporary Art, Denver (cat.)
"Splendid Isolation," Johan Deumens Gallery, Amsterdam
"Gazette Show," Mzin, Leipzig
"July, August, September 2012. Juillet, Août, Septembre 2012. Juli, August, September 2012," Berlin, Amsterdam, New York, London, Ciudad Juarez, El Paso, Charlotte et al. (cat.)
"Pre-Paradise Sorry Now / THE GREEK PAVILLON," Palais de Tokyo, Paris & OPEN MUSEUM / Hamburger Kunsthalle, Hamburg
"HELP/LESS," Printed Matter, Inc., New York
"Appropriation," essays and observations, Berlin
"BLANK BOOK MAKERS / Salon du Livre," Fondation Kugler, Geneva (cat.)
"Recent Acquisitions," Athenaeum, La Jolla, California
"January 5–31, 2012," Milchhofpavillon, Berlin (cat.)
"LIMITED, MULTIPLE, UNIQUE," Minnesota Center for Book Arts, Minneapolis, Minnesota & Museum of Printing History, Houston, Texas & Lafayette College, Easton, Pennsylvania
2011 -
"LIMITED, MULTIPLE, UNIQUE," Center for Book Arts, New York & Savannah College of Arts and Design, Atlanta (cat.)
"Vis à Vis," Rossi Contemporary Gallery, Brussels
"Convergence: Literary Art Exhibitions," Golden Thread Gallery, Belfast
"follow-ed (after hokusai)," Winchester Gallery (University of Southampton), Southampton & Gallery P74, Ljubljana & Arnolfini, Bristol (cat.)
"print cloud," Tryk Tryk Tryk, Copenhagen
"la photocopie," Cabinet du livre d’artiste, Université Rennes
2010 -
"Crosswords," Galerie Analix Forever, Geneva
"SeaFair 2010 – The Apparatus of Life and Death," Museum of Contemporary Art, Skopje (cat.)
"The Perverse Library," Laurence Sterne Museum, York
"Cabinet of Miracles," Zone D/Zoumboulakis Gallery, Athens (cat.)
"Ear to the Page," Center for Book Arts, New York (cat.)
"Non-Cochlear Sound," Diapason Gallery, New York
"Publication as Practice #10: Appropriation," X Marks the Bökship, London
"Newpaper Research and Reading Room," Milchhofpavillon, Berlin
"The Page," Kimmerich, New York
"FAX," Torrance Art Museum, California, Para/Site Art Space, Hong Kong & Burnaby Art Gallery, Burnaby, Canada & Museo Carrillo Gil, Mexico City (cat.)
2009 -
"Un coup de dés: poème, image of sculpture," Stichting Perdu, Amsterdam
"El Ahijado," Alterna y Corriente, Mexico City
"Learn to Read Art: A History of Printed Matter," Badischer Kunstverein, Karlsruhe & MOMA PS1, New York
"I Like The Truth, I Never Liked Fiction (and vice versa)," Rodeo Gallery, Istanbul
"FAX," Drawing Center, New York & Contemporary Museum, Baltimore, Maryland (cat.)
"Architectures of Survival," Outpost for Contemporary Art, Los Angeles & Komplot, Brussels
2008 -
"AFTER," galerie de multiples, Paris
"Beyond Kiosk," Cabinet des estampes, Geneva & Kunstbibliothek, Berlin (cat.)
"... America, ... America ...?," espai zero1, Olot (cat.)
"Working Drawings and Other Visible Things on Paper not Necessarily Meant to be Viewed," basso, Berlin (cat.)
"Old News 4," Museo Carrillo Gil, Mexico City & Midway Contemporary Art, Minneapolis, Minnesota (cat.)
"Freunde und Bekannte," Apartment Stefan Schuster & Sparwasser-HQ, Berlin
2007 -
"Crosswords," Galerie Analix Forever, Geneva
"Intercity Berlin Praha," Galerie Manes, Prague (cat.)
"See You in 2047," Public Space, Muenster
"Dictionary of War," Sophiensaele, Berlin (cat.)
"Artists’ Books: Transgression/Excess," Space Other, Boston & Bibliothekswohnung, Berlin
2006 -
"30 Years: Printed Matter, Editions 1976–2006," Printed Matter, Inc., New York
"OUVERTURE," Revolver, Frankfurt
"Alrededor de todos juntos, una entre tantas," ProjecteSD, Barcelona
2005 -
"Suppe, Schnittchen, Sekt," Revolver, Frankfurt
"un promesse de malheur," Galleria de Arte Mexicano, Mexico City
"Kiosk (XII–XIII) – Modes of Multiplication," Witte de With, Rotterdam & ICA, London
"Image Acts," Office Ops, New York
2004 -
"Art of the Biotech Era," Experimental Art Foundation, Adelaide (cat.)
"Späte Freuden der Disziplin," Ritterhof, Berlin
"Coded Cultures," Freiraum, Museumsquartier, Vienna
"Sculpture Grande 04," Wenceslas Square, Prague (cat.)
2003 -
"i like america and america likes itself," Broadway / Times Square, New York
"mehr licht!," Daad Arts Fellows at Goethe-Institute / InterNationes, New York
"schwarzwald united," Steuben Gallery, Brooklyn
2002 -
"SeaFair 2002 – Cultural Transformation, Consciousness and New Technologies," Museum of Contemporary Art, Skopje
"the term pratt artist is part of the problem," Steuben Gallery, Brooklyn
"Natürlich kann geschossen werden," Postfuhramt, Berlin
"LIBRARY OF ARTISTIC PRINT ON DEMAND," Villa Stuck, Munich
2023 -
"Blank. Raw. Illegible... Artists' Books as Statements (1960-2022)," Leopold Hoesch Museum, Düren
"OFFSET," Centre du livre d'artiste CDLA, Saint-Yrieix
2022 -
"Inexistent Books V," aula46, Barcelona
"Exposition / SURE SHOT* 1 – FAUX CONTACT," ESADHaR, Rouen
2021 -
"Désacraliser - La Tentation de Saint-Antoine," FRAC Haute-Normandie, Sotteville-lès-Rouen
"Enjoy Künstlerbücher," mumok, Vienna
"Apt 13’s A New Museum’s Triennial," FR MOCA, Fall River
2020 -
"Collector, quand l’art devient livre," Bibliothèque l’Alcazar, Marseille
"Behind the Glass – Quotes about Books from Books about Books," Oslo National Academy of the Arts – Library, Oslo
2019 -
"B," Belmacz, London
"Conceptual Poetics Day 2019," Haus der Kulturen der Welt, Berlin
" A construção do livro [de artista]," Universidade Federal de Minas Gerais, Belo Horizonte
"Calculated Chance," Societe, Brussels
"Estragon," Belmacz, London
"PANORAMA 2," FRAC Provence-Alpes-Côte d’Azur, Marseille
"Republished: Questioning Boundaries," das weisse haus, Vienna
2018 -
"Conceptual Poetics Day 2018," Haus der Kulturen der Welt, Berlin
"RÉSONANCE - Partie 2," FRAC Normandie, Rouen
"Un campo oscuro ," Centro José Guerrero , Granada, Spain
"EXPO Réactiver," Galerie 65 de l’École Supérieure d’Art et Design, Le Havre
"PANORAMA 1 : Tous les jours, je me dis qu’il ne faut pas que je craque," FRAC Provence-Alpes-Côte d’Azur, Marseille
"RÉSONANCE - Partie 1," Musée des Beaux-Arts, Rouen
2017 -
"Publishing as an Artistic Toolbox: 1989–2017," Kunsthalle Wien, Vienna
"Andere Bücher / Otros libros," Goethe-Institut Chile, Santiago de Chile
"Conceptual Poetics Day 2017," Haus der Kulturen der Welt, Berlin
"art. poetry. space," Ursula Blickle Stiftung, Kraichtal
"Artists' Books for Everything," Research Centre for Artists’ Publications, Weserburg Bremen
"Selección Natural – This is the Cover of the Book," 019 — Museum Of Moving Practice, Ghent
"The Rise of Bio-Society," Riddoch Art Gallery, Mount Gambier, South Australia
"Off the Shelve: Modern & Contemporary Artists´Books," Baltimore Musum of Art, Baltimore, Maryland
2016 -
"les Editions (Un)Limited Store," FRAC Provence-Alpes-Côte d’Azur, Marseille
"Xerox," Societe, Brussels
"Ed Ruscha Books & Co," Gagosian, Los Angeles (cat.)
"Reading Mashines," Kunsthal, Aarhus
"*Helter Skelter Vol.III," Kulturpalast Wedding International, Berlin
"Conceptual Poetics Day," Akademie der Künste, Berlin
"COMING OF AGE," Torpedo, Oslo
"Der Schatten des Körpers des Kutschers / The Shadow of the Body of the Coachman," KUNSTSAELE, Berlin
2015 -
"Artphilein on Display: Visual Poetry – Stéphane Mallarmé," Choisi, Lugano
"Proyecto para un texto / Project for a Text," Cosmopoética, Cordoba (cat.)
"Gomringer+," Kunstverein Bielefeld, Bielefeld (cat.)
"Re: follow-ed (after hokusai)," Cabinet du livre d’artiste, Université Rennes (cat.)
"Conceptual Poetics Day," Akademie der Künste, Berlin
"OLD NEWS (again)," centre national de l’estampe et de l’art imprimé (cneai), Paris
"This is the cover of the book," Arts Libris, Barcelona (cat.)
"BOOKS & CO," Gagosian, Paris (cat.)
"Ed Ruscha (and tributes)," Choisi, Lugano
2014 -
"Hausbesetzung," Nassauischer Kunstverein, Wiesbaden
"The Liberated Page," Le Commun, Geneva
"Postscript," Michigan State University, Eli and Edythe Broad Art Museum, East Lansing, Michigan (cat.)
"Conceptual Poetics Day," Literaturwerkstatt, Berlin
"Original Pirate Material," Literaturwerkstatt, Berlin
"Artist’s book rules /// libri a regola d’artista," Palazzo Collicola Arti Visive, Spoleto
"Pastiche, parody and piracy," The Cob Gallery, London
"A morte do autor," Universidade Federal de Minas Gerais, Belo Horizonte
"Remake, le livre et la céramique en question," Musée de Mariemont, Morlanwelz
"Bibliologie," FRAC Haute-Normandie, Sotteville-lès-Rouen
2013 -
"My Gallery is the World Now: Books and Ideas after Seth Siegelaub," Center for Book Arts, New York (cat.)
"Conceptual Poetics Day," abc art berlin contemporary, Berlin
"Esthétique du livre d’artiste: Collections et inventaires," FRAC Provence-Alpes-Côte d’Azur, Marseille
"Mehr Als Schein / Shining Through / Αυτό που φαίνεται," Zone D/Zoumboulakis Gallery, Athens
"Postscript," Power Plant, Toronto (cat.)
"Un phénomène de Bibliothèque," Un phénomène de Bibliothèque, Paris
"LIMITED, MULTIPLE, UNIQUE," The Book Club of California, San Francisco (cat.)
"The Feverish Library (continued)," Capitain Petzel, Berlin
"BOOKS & CO," Gagosian, Paris (cat.)
2012 -
"Postscript," Museum of Contemporary Art, Denver (cat.)
"Splendid Isolation," Johan Deumens Gallery, Amsterdam
"Gazette Show," Mzin, Leipzig
"July, August, September 2012. Juillet, Août, Septembre 2012. Juli, August, September 2012," Berlin, Amsterdam, New York, London, Ciudad Juarez, El Paso, Charlotte et al. (cat.)
"Pre-Paradise Sorry Now / THE GREEK PAVILLON," Palais de Tokyo, Paris & OPEN MUSEUM / Hamburger Kunsthalle, Hamburg
"HELP/LESS," Printed Matter, Inc., New York
"Appropriation," essays and observations, Berlin
"BLANK BOOK MAKERS / Salon du Livre," Fondation Kugler, Geneva (cat.)
"Recent Acquisitions," Athenaeum, La Jolla, California
"January 5–31, 2012," Milchhofpavillon, Berlin (cat.)
"LIMITED, MULTIPLE, UNIQUE," Minnesota Center for Book Arts, Minneapolis, Minnesota & Museum of Printing History, Houston, Texas & Lafayette College, Easton, Pennsylvania
2011 -
"LIMITED, MULTIPLE, UNIQUE," Center for Book Arts, New York & Savannah College of Arts and Design, Atlanta (cat.)
"Vis à Vis," Rossi Contemporary Gallery, Brussels
"Convergence: Literary Art Exhibitions," Golden Thread Gallery, Belfast
"follow-ed (after hokusai)," Winchester Gallery (University of Southampton), Southampton & Gallery P74, Ljubljana & Arnolfini, Bristol (cat.)
"print cloud," Tryk Tryk Tryk, Copenhagen
"la photocopie," Cabinet du livre d’artiste, Université Rennes
2010 -
"Crosswords," Galerie Analix Forever, Geneva
"SeaFair 2010 – The Apparatus of Life and Death," Museum of Contemporary Art, Skopje (cat.)
"The Perverse Library," Laurence Sterne Museum, York
"Cabinet of Miracles," Zone D/Zoumboulakis Gallery, Athens (cat.)
"Ear to the Page," Center for Book Arts, New York (cat.)
"Non-Cochlear Sound," Diapason Gallery, New York
"Publication as Practice #10: Appropriation," X Marks the Bökship, London
"Newpaper Research and Reading Room," Milchhofpavillon, Berlin
"The Page," Kimmerich, New York
"FAX," Torrance Art Museum, California, Para/Site Art Space, Hong Kong & Burnaby Art Gallery, Burnaby, Canada & Museo Carrillo Gil, Mexico City (cat.)
2009 -
"Un coup de dés: poème, image of sculpture," Stichting Perdu, Amsterdam
"El Ahijado," Alterna y Corriente, Mexico City
"Learn to Read Art: A History of Printed Matter," Badischer Kunstverein, Karlsruhe & MOMA PS1, New York
"I Like The Truth, I Never Liked Fiction (and vice versa)," Rodeo Gallery, Istanbul
"FAX," Drawing Center, New York & Contemporary Museum, Baltimore, Maryland (cat.)
"Architectures of Survival," Outpost for Contemporary Art, Los Angeles & Komplot, Brussels
2008 -
"AFTER," galerie de multiples, Paris
"Beyond Kiosk," Cabinet des estampes, Geneva & Kunstbibliothek, Berlin (cat.)
"... America, ... America ...?," espai zero1, Olot (cat.)
"Working Drawings and Other Visible Things on Paper not Necessarily Meant to be Viewed," basso, Berlin (cat.)
"Old News 4," Museo Carrillo Gil, Mexico City & Midway Contemporary Art, Minneapolis, Minnesota (cat.)
"Freunde und Bekannte," Apartment Stefan Schuster & Sparwasser-HQ, Berlin
2007 -
"Crosswords," Galerie Analix Forever, Geneva
"Intercity Berlin Praha," Galerie Manes, Prague (cat.)
"See You in 2047," Public Space, Muenster
"Dictionary of War," Sophiensaele, Berlin (cat.)
"Artists’ Books: Transgression/Excess," Space Other, Boston & Bibliothekswohnung, Berlin
2006 -
"30 Years: Printed Matter, Editions 1976–2006," Printed Matter, Inc., New York
"OUVERTURE," Revolver, Frankfurt
"Alrededor de todos juntos, una entre tantas," ProjecteSD, Barcelona
2005 -
"Suppe, Schnittchen, Sekt," Revolver, Frankfurt
"un promesse de malheur," Galleria de Arte Mexicano, Mexico City
"Kiosk (XII–XIII) – Modes of Multiplication," Witte de With, Rotterdam & ICA, London
"Image Acts," Office Ops, New York
2004 -
"Art of the Biotech Era," Experimental Art Foundation, Adelaide (cat.)
"Späte Freuden der Disziplin," Ritterhof, Berlin
"Coded Cultures," Freiraum, Museumsquartier, Vienna
"Sculpture Grande 04," Wenceslas Square, Prague (cat.)
2003 -
"i like america and america likes itself," Broadway / Times Square, New York
"mehr licht!," Daad Arts Fellows at Goethe-Institute / InterNationes, New York
"schwarzwald united," Steuben Gallery, Brooklyn
2002 -
"SeaFair 2002 – Cultural Transformation, Consciousness and New Technologies," Museum of Contemporary Art, Skopje
"the term pratt artist is part of the problem," Steuben Gallery, Brooklyn
"Natürlich kann geschossen werden," Postfuhramt, Berlin
収蔵
Ampersand Foundation, Johannesburg
Archive Artist Publications Hubert Kretschmer, Munich
Athenaeum, La Jolla, California
Celine Duva, Houlgate
centre national de l’estampe et de l’art imprimé (cneai), Paris
Centre Pompidou, Paris
Deutsche Nationalbibliothek, Leipzig / Frankfurt am Main
Emily Carr Institute, Vancouver
Eric Doeringer, Brooklyn
Escolas de Belas Artes, Minas Gerais, Belo Horizonte
FRAC Haute-Normandie, Sotteville-lès-Rouen
FRAC Provence-Alpes-Côte d’Azur, Marseille
Getty Research Institute, Los Angeles
Guggenheim Foundation, New York
Indiana University, Bloomington
Jacob Fabricius, Copenhagen
John M. Flaxman Library, School of the Art Institute of Chicago (SAIC), Boston
John Stezaker, London
Jon Hendricks, New York
MoMA Museum of Modern Art, New York
Musée de l’Elysée, Lausanne
Musées de la Ville de Genève (BAA), Geneva
National Gallery of Canada, Ottawa
New York Public Library, New York
Princeton University Library, Princeton
Research Centre for Artists’ Publications, Weserburg Bremen
Ruth and Marvin Sackner Archive of Concrete and Visual Poetry, Miami
Sammlung Paul Heimbach, Cologne
Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek, Berlin
Staatliches Museum, Schwerin
Städelschule, Frankfurt
Stanford University Libraries, California
Tate Gallery Library and Archive, London
The National Art Library, Victoria & Albert Museum, London
Thomas J. Watson Library, The Metropolitan Museum of Art, New York
University of Colorado, Boulder
Archive Artist Publications Hubert Kretschmer, Munich
Athenaeum, La Jolla, California
Celine Duva, Houlgate
centre national de l’estampe et de l’art imprimé (cneai), Paris
Centre Pompidou, Paris
Deutsche Nationalbibliothek, Leipzig / Frankfurt am Main
Emily Carr Institute, Vancouver
Eric Doeringer, Brooklyn
Escolas de Belas Artes, Minas Gerais, Belo Horizonte
FRAC Haute-Normandie, Sotteville-lès-Rouen
FRAC Provence-Alpes-Côte d’Azur, Marseille
Getty Research Institute, Los Angeles
Guggenheim Foundation, New York
Indiana University, Bloomington
Jacob Fabricius, Copenhagen
John M. Flaxman Library, School of the Art Institute of Chicago (SAIC), Boston
John Stezaker, London
Jon Hendricks, New York
MoMA Museum of Modern Art, New York
Musée de l’Elysée, Lausanne
Musées de la Ville de Genève (BAA), Geneva
National Gallery of Canada, Ottawa
New York Public Library, New York
Princeton University Library, Princeton
Research Centre for Artists’ Publications, Weserburg Bremen
Ruth and Marvin Sackner Archive of Concrete and Visual Poetry, Miami
Sammlung Paul Heimbach, Cologne
Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek, Berlin
Staatliches Museum, Schwerin
Städelschule, Frankfurt
Stanford University Libraries, California
Tate Gallery Library and Archive, London
The National Art Library, Victoria & Albert Museum, London
Thomas J. Watson Library, The Metropolitan Museum of Art, New York
University of Colorado, Boulder
