shashasha 写々者

2024
Fraenkenstein, Fraenkel Gallery, San Francisco, CA
When Images Learned to Speak: Conceptualized Documentary Photography from Astrid
Ullens De Schooten Whetnall’s Collection, The Recontres d’Arles, Arles, France Saga, The Rencontres d’Arles, Arles, France
Suppose You are Not, Arter, Istanbul, Turkey
Photo City: Images Shape the Urban World, V&A Dundee, Scotland
Alexey Brodovitch: Astonish Me!, Roberts Gallery, Philadelphia, PA Places, Berggruen Gallery, San Francisco, CA
Fragile Beauty: Photographs from the Sir Elton John and David Furnish Collection, V&A South Kensington, London, United Kingdom
50 Years | 50 Photographs, Kicken Gallery, Berlin, Germany
On Television, Carriage Trade, New York, NY
Flags – A Group Show, Paula Cooper Gallery, New York, NY
The ‘70s Lens: Reimagining Documentary Photography, The National Gallery of Art,
Washington D.C.
Life with Photographs: 75 Years of the Eastman Museum, George Eastman Museum, Rochester, NY
A Show of Affection: Collection Constellation 1, Fotomuseum Winterthur at Fotosiftung Schweiz, Winterthur, Switzerland
2023-2024
Photography: Real and Imagined, National Gallery of Victoria, Melbourne, Australia
2023
A Time of Gifts: Six Years of Photographs Given to the Collection, 2016-2022, Santa Barbara Museum of Art, Santa Barbara, CA
Selections from the Collection, The George Eastman Museum, Rochester, NY
Corps à corps: Histoire(s) de la photographie, Centre Pompidou, Paris, France
People Watching: Contemporary Photography since 1965, Bowdoin College Museum of Art,
Brunswick, ME
What are words worth?, Pier McEvoy Arts Foundation, San Francisco, CA
Influence and Identity: Twentieth Century Portrait Photography from the Bank of America
Collection, Irish Museum of Modern Art, Dublin, Ireland PAUSE/CONNECT: Photography in the WAM Collection, Warehouse Art Museum,
Milwaukee, WI
Rituals of Devotion, McEvoy Foundation of the Arts, San Francisco, CA
Snow Show, Hall of Art Foundation, Reading, VT
2022-2023
An Alternative History of Photography: Works from the Solander Collection, The
Photographer’s Gallery, London, England
New York: 1952-1964, Jewish Museum, New York, NY
2022
The Double: Identity and Difference in Art Since 1900, National Gallery of Art,
Washington, D.C.
For the Record: Photography & the Art of the Album Cover, The Photographer’s Gallery,
London, England
Resonancias: Colecciones Fundacíon MAPFRE, KBR Foundación MAPFRE, Barcelona, Spain 2021-2022
Alberto Canova: Innocence and Sin, Mart Roverteo, Rovereto, Italy
Paper Chase: Ten Years of Collecting Prints, Drawings, and Photographs at the Cantor, Iris
& B.Gerald Cantor Center for Visual Arts, Stanford University, Stanford, CA
2021
American Photography, Albertina Museum, Vienna, Austria
Get Lifted!, Karma, New York, NY
Jim Dine and Lee Friedlander: Work from the Same House, Figge Art Museum,
Davenport, IA
Looking Back: Ten Years of Pier 24 Photography, Pier 24, San Francisco, CA 2020
The Artist and the Self, James Fuentes, New York, NY
I’m Not the Only One, Fraenkel Gallery, San Francisco, CA
Photography’s Last Century: The Ann Tenenbaum and Thomas H. Lee Collection,
Metropolitan Museum of Art, New York, NY
2019-2020
Long Story Short, Fraenkel Gallery, San Francisco, CA
The Shape of Shape – Artists Choice: Amy Sillman, Museum of Modern Art, New York, NY 2019
Don’t! Photography and the Art of Mistakes, San Francisco Museum of Modern Art,
San Francisco, CA
Shape of Light: Defining Photographs from the Frances Lehman Loeb Art Center, The
Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY
2017-2018
Thinking Machines: Art and Design in the Computer Age, 1959-1989, Museum of Modern Art, New York, NY
2017
The Grain of the Present, Pier 24 Photography, San Francisco, CA
Autophoto, Fondation Cartier pour l’Art Contemporain, Paris, France
At Work, Foto/Industria, Fondazione Del Monte, Bologna, Italy
The Arcades: Contemporary Art & Walter Benjamin, The Jewish Museum, New York, NY 2016
Performing for the camera, Tate Modern, London, England
2015-2017
The Open Road, Aperture Foundation, New York, NY; Detroit Institute of Arts, Detroit, MI;
Crystal Bridges Museum of American Art, Bentonville, AR; Amarillo Museum of Art, Amarillo, TX; Museum of Fine Arts, St. Petersburg, St. Petersburg, FL; Blanton Museum of Art, University of Texas at Austin, Austin, TX
2015
Revolution of the Eye: Modern Art & the Birth of American Television, The Jewish Museum, New York, NY; traveling to Nova Southeastern Univ. Museum of Art, Fort Lauderdale, FL; Addison Gallery of American Art, Andover, MA; CADVC, Univ. of Maryland, Catonsville, MD; Smart Museum of Art, Chicago, IL; Orange County Museum of Art, Santa Ana, CA
Land Möter Vatten / Land Meets Water - European & American Photography from 1860 until the Present, Artipelag, Gustavsberg, Sweden (curated by Peter Galassi)
New York Times Photographs, Aperture Foundation, New York, NY
2014
Jazz Lives: The Photographs of Lee Friedlander & Milt Hinton, Yale University Art Gallery, New Haven, CT
Pop Art Design, Barbican Art Gallery, London, England
A Great Crowd Had Gathered: JFK in the 1960s, Yale University Art Gallery, New Haven, CT Public Eye: 175 Years of Sharing Photography, The New York Public Library, New York, NY Landscape into Abstraction, Orange County Museum of Art, Newport Beach, CA
2013
Museum of Modern Art & Western Antiquities Department of Light Recordings Section IV: Lens Drawings, Marian Goodman Gallery, Paris, France (curated by Jens Hoffmann)
Landmark: The Fields of Photography, Positive View Foundation, London, England About Face, Pier 24, San Francisco, CA
2012
A Tribute to Robert Delpire, Pace/MacGill Gallery, New York, NY Au Bonheur des fleurs, Ville de Montpellier, France
2011
Photography Calling!, Sprengel Museum, Hanover, Germant
Masterworks of American Photography: Landscape, Amon Carter Museum, Fort Worth, TX The New York Times Photographs, Les Rencontres d’Arles, Arles, France; traveling to
FOAM, Amsterdam, the Netherlands; Palau Robert, Barcelona, Spain; Museum of the City of New York, New York, NY; Sala Gasco, Santiago, Chile; Łódź Photo Festival, Łódź, Poland
Embarrassment of Riches: Picturing Global Wealth, 2000-2010, Nerman Museum of Contemporary Art, Overland Park, KS
Conversations: Photography from the Bank of America Collection, Museum of Fine Arts, Boston, MA
Hyper Real: Art and America Around 1970, Ludwig Forum, Aachen, Germany Streetwise: Masters of 60s Photography, Museum of Photographic Arts, San Diego, CA
2010
Gaze, Pace/MacGill Gallery, New York, NY
American Monuments, Saint Louis Museum of Art, St. Louis, MO
On the Road: A Legacy of Walker Evans, Brooks School, North Andover, MA
True Grid, Bradbury Gallery, Arkansas State University, Jonesboro, AR; Salina Art Center,
Salina, KS
2009
Face to Face: 150 Years of Photographic Portraiture, Phoenix Art Museum, Phoenix, AZ Staring, Davidson College of Art, Davidson College, Davidson, NC
We Want Miles: Miles Davis, Jazz Legend, Musée de la Musique / Cité de la Musique, Paris,
France; traveling to Montreal Museum of Fine Arts, Canada; Centro Cultural Banco
do Brasil (CCBB), Rio de Janeiro, Brazil; SESC Pinheiros, Saõ Paulo, Brazil
2008-2009
Photographic Figures, Museum of Fine Arts, Boston, Boston, MA 2004
Je t-envisage, Musee de L’Elysee, Lausanne, France
2003
The Eye Club, Fraenkel Gallery, San Francisco, CA
Cruel and Tender: The Real in the Twentieth- Century Photograph, Tate Modern, London,
England; Museum Ludwig, Cologne, Germany
TV-Cinema-Video, Galerie Thomas Zander, Cologne, Germany
Un bel été 3, Casino Luxembourg – Forum d’Art Contemporain, Luxembourg City,
Luxembourg
2002-2003
A City Seen: Photographs from the George Gund Foundation Collection, Cleveland Museum of Art, Cleveland, OH
2002
Lee Friedlander & Jim Dine: Photographs and Etchings, Sprengel Museum, Hannover, Germany
Short Stories on Photography: The Joseph and Elaine Monsen Collection at the Henry Art Gallery, Henry Art Gallery, Faye G. Allen Center for the Visual Arts, University of Washington, Seattle, WA
2001
In Response to Place: Photographs of the Nature Conservancy’s Last Great Places, The Corcoran Gallery of Art, Washington, DC
2000-2001
The Model Wife, Museum of Photographic Arts, San Diego, CA; Art Institue of Chicago, Chicago, IL; Cleveland Museum of Art, Cleveleand, OH; La Maison Européenne de la Photographie, Paris, France
2000
Eugene Atget, the pioneer, The Patrimoine Photographique, Hotel de Sully, Paris, France The New Frontier: Art & Television, 1960-65, Austin Museum of Art, Austin, TX & Tacoma
Art Museum, Tacoma, WA
How You Look at It: photographs of the 20th Century, Sprengel Museum, Hannover,
Germany; Städelsches Kunstinstitut and Städtische Galerie, Frankfurt, Germany Le Desert, Cartier Foundation, Paris, France
Walker Evans & Company, Museum of Modern Art, New York, NY; J. Paul Getty Museum,
Los Angeles, CA
1999-2001
My Culture My Self, Ydessa Hendeles Foundation, Toronto, Canada; Recontres d’Arles, Arles, France
1998
Album: A Selection from the Foundation Cartier pour l’art contemporain, Fundació Miró, Barcelona, Spain
1996-1997
Viewing Olmsted: Photographs by Robert Buerley, Lee Firedlander and Geoffrey James, Canadian Centre for Architecture, Montreal, Canada; Equitable Gallery, New York, NY; Wexner Center for the Arts, Columbus, OH; Davis Museum Center, Wellesley, MA
1996
La Colección Fotográfica del IVAM: Una Selección, IVAM, Centre Julio Gonzalez, Valencia, Spain
Lee Friedlander et Jim Dine: Photographs & Etchings, 1969, La Maison Européenne de la Photographie
1995-1997
American Photography 1890-1965 from the Museum of Modern Art, New York,
Kunstbibliothek, Staatliche Museum zu Berlin, Germany; Stedelijk Museum, Amsterdam, The Netherlands; Scottish National Gallery of Modern Art, Edinburgh, Scotland; Hasselblad Center, Götebord, Sweden; Musée National d’Art Moderne, Centre Georges Pompidou, Paris, France; IVAM Centre Julio Gonzalez, Valencia, Spain; Victoria and Albert Museum, London, England; Museum of Modern Art, New York, NY
1995-1996
Multiple Exposure: The Group Potrait in Photography, Bruce Museum, Greenwich, CT; Bayly Art Museum, University of Virginia, Charlottesville, VA; Oakville Groceries, Ontario, Canada
1994-1996
An American Century of Photography: From Dry-Plate to Digital, The Hallmark Photographic Collection, Nelson-Atkins Museum of Art, Kansas City, MO; Mead Art Museum, Amherst, MA; International Center of Photography, New York, NY; Auckland City Art Gallery, Auckland, Australia; National Gallery of Victoria, Melbourne, Australia; Art Gallery of New South Wales, Sydney, Australia; Museum of Photographic, San Diego, CA
1994-1995
The Camera I: Photographic Self-Portraits from the Audrey and Sydney Irmas Collection, Los Angeles County Museum of Art, Los Angeles, CA; Akron Art Museum, Akron, OH; Det Nationalhistoriske, Hilerød, Denmark
1994
Hidden Faces, Paul Kopeikin Gallery, Los Angeles, CA
One Hundred Years of Street Photography, Wright State University, Dayton, OH American Studies, Aktinsonsforum Praterinsel, Munich, Germany Chefs-d’oeuvres de la Photographie: les années 70, Musée de l’Elysée, Lusanne,
Switzerland
1993
In Camera, Museum of Fine Arts, Boston, MA; Museum of New Mexico, Santa Fe, NM 1991
American Documents in the Fringe, Metropolitan Museum of Photography, Tokyo, Japan Photographie/ Sculpture, Musée du Louvre, Paris, France
1990
The Past and Present of Photography, National museum of Modern Art Tokyo, Tokyo, Japan; National Museum of Modern Art, Kyoto, Kyoto, Japan
Photography Until Now, Museum of Modern Art, New York, NY; Cleveland Museum of Art, Cleveland, OH
1989
On the Art of Fixing a Shadow: One Hundred and Fifty Years of Photography, National Gallery of Art, Washington, D.C.
Photography Now, Victoria and Albert Museum, London, England
1988
Three on Technology, Massachusetts Institute of Technology, Cambridge, MA (catalog) 1987-1989
Wanderlust: Work by Eight Contemporary Photographers from the Hallmark Photographic
Collection, Nelson-Atkins Museum of Art, Kansas City, MO; Evansville Museum of Art and Science, Evansville, IN; Tarble Arts Center, East Illinois University, Charleston, IL; California Museum of Photography, Riverside, CA; National Museum of American Art, Washington, D.C. Mississippi Museum of Art, Jackson, MS; Snite Museum of Art, University of Notre Dame, Notre Dame, IN; Museum of the Great Plains, Lawton, OK; Toledo Museum of Art, Toledo, OH; Springfield Art Museum, Springfield, MO; Akron Art Museum, Akron, OH
1987
The Insistent Object, Fraenkel Gallery, San Francisco
Southern Visions: Photography in Southern New Jersey 1910-1985, Noyes Museum,
Oceanville, NJ
1986-1987
Twentieth Century Masters of Photography, 1900-1985, Center for the Arts, Vero Beach, FL; Albany Museum of Art, Albany, NY; Asheville Museum of Art, Asheville, NC; Columbus Museum of Arts and Science, Columbus, GA; Roanoke, VA; Birmingham Museum of Art, Birmingham, AL
1986
Acceptable Entertainment, Bruno Facchetti Gallery, New York, NY Television’s Impact on Contemporary Art, Queens Museum of Art, Queens, NY
1985
American Images: From Humanism to Formalism in American Ohotography 1945-1980, Barbican Art Gallery, London, England
1984-1985
Portraits of Artists/ Faces Photographed, San Francisco Museum of Modern Art, San Francisco, CA
1983
Contemporary Self-Portraiture in Photography, Massachusetts Institute of Technology, Cambridge, MA
Harry Callahan and Lee Friedlander: Posed and Unposed Portraits, Zabriskie Gallery, New York, NY
1982
3 Photographers/ 3 Sculptors, Zabriskie Gallery, New York, NY
Slices of Time: California Landscapes 1860-1880 and 1960-1980, Oakland Museum,
Oakland,CA; Security Pacific National Bank, Los Angeles, CA
1981
Central Park Photographs: Lee Friedlander, Tod Papageorge, and Garry Winograd, The Dairy in Central Park, New York, NY
Robert Frank Forward, Fraenkel Gallery, San Francisco, CA 1978-1979
Mirrors and Windows: American Photography Since 1960, Museum of Modern Art, New York, NY; Cleveland Museum of Art, Cleveland, OH; Walker Art Center, Minneapolis, MN; J.B. Speed Museum, Louisville, KY; San Francisco Museum of Modern Art, San Francisco, CA; Krannert Art Museum, University of Illinois at Urbana Champaign, Champaign, IL; Virginia Museum of Fine Arts, Richmond, VA; Milwaukee Art Center, Milwaukee, WI
1978
Mirrors & Windows: American Photography Since 1960, Museum of Modern Art, New York, NY (catalog)
Old and Modern Masters of Photography, Victoria and Albert Museum, London, England
The Presence of Walker Evans, Institute of Contemporary Art, Boston, MA
1977
American Photographers, Forum Stadtpark, Graz, Austria
Contemporary American Photographic Works, Museum of Fine Arts, Houston, Houston, TX Photographic Landscapes, George Eastman House, Rochester, NY
Unposed Portraits, Whitney Museum of American Art, New York, NY
1976
American Photography: Past into Present, Prints from the Monsen Collection of American
Photography, Seattle Art Museum, Seattle, WA
Lee Friedlander & Jim Dine: Photographs & Etchings, Vision Gallery, Boston, MA
Lee Friedlander and Dr. Harold Edgerton, The Photographer’s Gallery, London, England Peculiar to Photography, Art Museum at the University of New Mexico, Albuquerque, NM Stieglitz, Steichen, and Their Successors, International Center of Photography, New York,
NY
1975
14 American Photographers, Baltimore Museum of Art, Baltimore, MD; Newport Harbor Art Museum, Newport Beach, CA; La Jolla Museum of Contemporary Art, La Jolla, CA; Walker Art Center, Minneapolis, MN; Forth Worth Art Museum, Fort Worth, TX
Walker Evans and Lee Friedlander: Two American Photographers, Lijnbaancentrum, Rotterdam, The Netherlands
1974
Art Now 74: A Celebration of the American Arts, John F. Kennedy Center for the Performing Arts, Washington, D.C.
Lee Friedlander – Jim Dine, Centre Cultural Américain, Paris, France
Photography 1, Jack Glenn Gallery, Corona del Mar, CA
1972
Portrait of the Artist, Metropolitan Museum of Art, New York, NY
1970
The Camera and the Human Façade, National Portrait Gallery, Smithsonian Institute,
Washington, D.C.
New Photography U.S.A., Bella Center, Copenhagen, Denmark; Amerika Haus, Berlin,
Germany; Amerika Haus, Hamburg, Germany; Dommuseum Lübeck, Lüback, Germany; Amerika Haus, Munich, Germany; Galeria de Artâ Fotograficâ, Bucharest, Hungary; Foto Federation, Belgrade, Yugoslavia; Gallerie Hlavniho Mê sta Prahy,Prauge, Czechoslovakia; Bibliothèque Nationale, Paris, France; Instituto di Storia del’Arte, Università de Parma, Parma, Italy; Bibliothèque Royale, Brussels, Belgium; The Photographers Gallery, London, England
Photographic Synthesis, California College of Arts and crafts, Oakland, CA
1969
13 Photographers: An Exhibition of Contemporary American Photography, Pratt Institute, New York, NY
1968
Contemporary Photographs, Art Galleries, University of California, Los Angeles, Los Angeles, CA
From the Ben Schultz Memorial Collection, Museum of Modern Art, New York, NY Photography and the City: The Evolution of an Art and a Science, Smithsonian Institution,
Washington, D.C.
1967
Twelve Photographers Toward a Social Landscape, Rose Art Museum, Brandeis University, Waltham, MA (catalogue)
New Documents, Museum of Modern Art, New York, NY; Goucher College, Towson, MD; McMaster University, Hamilton, Canada; Cornell University, Ithaca, NY; Krannert Art Museum, University of Illinois at Urbana-Champaign, Champaign, IL; Wesleyan University, Middleton, CT; Dartmouth College, Hanover, NH; University of Missouri, Colombia, MO
Photography in the Twentieth Century, National Gallery of Canada, Ottawa, Canada; Baltimore Museum of Art, Baltimore, MD; Pasadena Art Museum, Pasadena, CA; Tucson Art Center, Tucson, AZ
1966
Toward a Social Landscape, George Eastman House, Rochester, NY (catalogue)
The John Simon Guggenheim Memorial Fellowship Show in Photography, Philadelphia
College of Art, Philadelphia, PA
1964
The Photographer's Eye, Museum of Modern Art, New York, NY (catalogue) Contemporary Photographs from the George Eastman House Collection 1900-1964, New
York World’s Fair, New York, NY